Fifteen years ago yesterday, the World Wide Web became official and was put into the public domain. In honor of that fact, one of our colleagues at frog (thanks Ben Tomassetti!) brought in a birthday cake for it today:

(Thanks to Cary Gibaldi for the photo) 

Note the nerd humor with the binary numbering of the years…there are 10 kinds of people in this world, those who understand binary and those who don’t. I can’t say that it actually was the “moistest cake I’ve ever tasted”, but, like the web, it was free, so I’m not going to complain.

This blog post at SiliconValley.com from yesterday sums up the situation nicely:

It could easily have gone differently. Fifteen years ago, the management of the CERN physics lab in Geneva could have decided that this World Wide Web thing that researcher Tim Berners-Lee was working on might have some proprietary value down the road and put it under lock, key and license. But they didn’t. Fifteen years ago today, they put it into the public domain and changed history. Of the many Web milestones we celebrate, that makes this one special.

The CERN directors took some convincing. “The difficult part was explaining to them the true nature of what the Web was going to be,” Berners-Lee’s colleague Robert Cailliau told the BBC. “We had to convince them that this was going to take off and it was a really big thing. And therefore CERN couldn’t hold on to it and the best thing to do was to give it away. We had toyed with the idea of asking for some sort of royalty. But Tim wasn’t very much in favor of that.”

If you are in the business of designing products, have I got a book for you: It’s called Manufacturing Processes for Design Professionals ($60 on Amazon). This may sound expensive until you see it: it’s a monster of a book at 500+ pages and with 1200 color illustrations and weighs several pounds.

A huge range of materials and manufacturing processes are covered in detail, richly communicated with great on-the-shop-floor photos taken by the author himself, Rob Thompson, who is an industrial designer. There are sections on familiar categories like metals…

And plastics…

…and less familiar ones like caning: 

This is really a breathtaking effort in its scope and detail. Highly recommended. 

Recently my BlackBerry got run over by a car. You can see the results here, it’s not pretty. Actually, I think it held up pretty well considering it got hit on a busy street. It’s rather a mystery how it got there, as I hadn’t been anywhere near where it was found.

A kindly woman named Shawna saw it, stopped to pick it up, and had the savvy to take out the SIM card, put the card in her own phone, and see if any text messages had been left indicating the owner. “It’s what I’d hope somebody would do for me,” she explained, thus boosting my faith in humanity. As luck would have it, I’d sent a text to it in just such an eventuality. My hat is off to Shawna for her effort and for thinking of that solution. Only in Silicon Valley!

Work was able to get me a new one within a couple of days so my withdrawal symptoms were minimized. But here’s what I found interesting about this process: Once I got the new one and activated it, everything came back — and I mean just about everything. Of course the email, texts, call logs, calendar and so on, those are to be expected. But what surprised me was that it also restored my theme, the location of icons on the main screen, ringtones and profile settings. In other words, it restored all the things that you painstakingly customize over time and which take almost equally long to get back how you liked them. It instantly created a doppelganger of my old phone as though nothing had ever happened. The only item that didn’t get restored for some reason was my text shortcuts, which is a bit of a pain.

The iPhone may be sexier, but to my knowledge it couldn’t pull of a trick like this. Kudo’s to RIM’s system, this turned a potentially painful event into one that was pleasantly surprising. Not that I will be trying to repeat it again any time soon.

Neatorama has put together a nice little collection of progression of famous tech company logos.

You’ve seen these tech logos everywhere, but have you ever wondered how they came to be? Did you know that Apple’s original logo was Isaac Newton under an apple tree? Or that Nokia’s original logo was a fish?

The history lessons are nice, though one I’m a bit skeptical of the veracity:

Jobs thought that the overly complex [Newton] logo had something to do with the slow sales of the Apple I, so he commissioned Rob Janoff of the Regis McKenna Agency to design a new one. Janoff came up with the iconic rainbow-striped Apple logo used from 1976 to 1999.

Anyone have verification of whether Jobs actually thought this? While it would be amazing if a logo did have the actual power to slow down sales, I’m rather skeptical of that too.

I wrote in my end-of-year wrap-up about the Pentax K10D, a prosumer digital SLR, and Pentax has just announced its successor, the K20D. This has led to a storm of commentary in several Pentax discussion forums which are a microcosm of the extremism that the internet often generates. The level of emotion really gets out of hand quickly as people try to one-up each others’ arguments.

What are all the arguments about? In this case, in part whether Pentax dropped the ball by not improving the frames-per-second (fps) that the camera can shoot. Both the K10 and the K20 are 3fps, which is arguably slower than the competition. Some people, presumably who shoot fast moving sports, wildlife or kids, are vociferously complaining about “only” 3fps and are really dominating the conversation. However, a poll going on at The Online Photographer is (as of this writing) showing that 3fps is just fine for the vast majority of people.

This highlights two things:

1. Complainers tend to outweigh the silent majority of satisfied people and leads to a skewed perspective of the quality of a manufacturer’s products.
2. People’s perceptions of the importance of features can be very different at the point of purchase than in ongoing use.

In any case, the whole dialog reminds me of the famous Monty Python “Four Yorkshiremen” sketch where each man tries to one-up the others on how horrible their childhood was.